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Slide 1 - Current Status of Indian Classical Dance Virtual Prototype Project Faridah Noor Mohd Noor1*, Selvanathan Narainasamy1, Suhaimi Napis2, Harun Jantrik2 and Azmir Saifudin Mutalib3. 1University of Malaya, 2Universiti Putra Malaysia, 3Multimedia Development Corporation, Malaysia. *Deputy Director, Centre for Civilizational Dialogue, University of Malaya faridahn@um.edu.my, faridahn@gmail.com
Slide 2 - Outline Introduction Virtual Indian Dance Project The Prototype: Progress report Future Direction and Collaboration
Slide 3 - Introduction Malaysia Multi-cultural and multi-religious country Melting pot of various ethnic groups comprised of Malays, Chinese, Indians and indigenous people. Rich cultural heritage Cross-culture due to assimilation- “New Culture” eg. Baba/Nyonya, Portugese Descendents Colourful history and bright future
Slide 4 - Introduction Culture involves at least three components: What people think, What they do, and What material products they produce Source: John H. Bodley, Cultural Anthropology: Tribes, States, and the Global System, 1994.
Slide 5 - Introduction What is exactly the definition of Digital Culture or E-Culture? A Marriage between Culture and Technology Using computers to manage cultural information
Slide 6 - Introduction What is the Purpose and Objective of Digital Culture / E-Culture? To “immortalise” and preserve culture for the future generation With digital repository, archival work of these priceless historical gems can be immortalised for generations to come Creation of Cyber Heritage
Slide 7 - Virtual Indian Dance Project Reports on the progress that has been made since the last APAN Meeting held in Taipei, August 2005.
Slide 8 - How the Project was Initiated Traditional dances are part of each ethnic cultural heritage The present generation owes it to the future generation to keep a record with a purpose to preserve and hand down to them how these dances can be performed
Slide 9 - Virtual Indian Dance Project A collaborative research project to capture the motions of a Traditional Indian Dance 1. University of Malaya, 2. Universiti Putra Malaysia, 3. Multimedia Development Corporation, Malaysia. Mr. Ganesan, Malaysia
Slide 10 - Bharatnatyam One of the type of classical Indian dance Originated from the southern part of India: Tamilnadu “Subtle and sophisticated dance Provides spiritual satisfaction to performer and aesthestic experience to the audience (Saroja V., 1996:2)
Slide 11 - “Bharatnatyam” An acronymn consisting of: Bhava  Expression Raga  Melody Tala  Rhythm Natyam  Dance
Slide 12 - Choice of Dance Type for Project Movements, gestures (hands, facial expressions, eye and eyebrows movements, etc are highly symbolic and means something Classical and very rich in history Well-documented
Slide 13 - The Prototype Marks the beginning of a continuous chain of collaborative research between the Arts and IT disciplines, in Malaysia at least
Slide 14 - The Prototype: Progress report Made some progress with the prototype Original data from Motion Capture was reused to make new animated character Converted into Virtual Reality Data for visualization using CAVE with stereoscopic googles Eventually, we want to integrate real 3D scanned image of the dancer himself with full costumes Video clips and images
Slide 15 - The Prototype: Progress report Capturing the Motion Capture Datasets
Slide 16 - The Prototype: Progress report Captured Datasets used to animate a skeleton
Slide 17 - The Prototype: Progress report Captured Datasets re-used to animate a character
Slide 18 - The Prototype: Progress report Captured Datasets re-used to animate a character with moving background
Slide 19 - The Prototype: Progress report The prototype has been converted to 3D virtual reality datasets for viewing on CAVE at Virtual Reality Centre of Multimedia Development Corporation Some images at the VR Centre, MDC during the test-run
Slide 20 - The Prototype: Progress report Control Console
Slide 21 - The Prototype: Progress report Control Console
Slide 22 - The Prototype: Progress report Control Console
Slide 23 - The Prototype: Progress report Showing the video clip
Slide 24 - The Prototype: Progress report Showing the video clip
Slide 25 - The Prototype: Progress report Showing the video clip to audience wearing googles
Slide 26 - The Prototype: Progress report Showing the video clip to audience
Slide 27 - Future Direction and Collaborations Other projects in the pipeline: Mah Meri Masks Jahut carvings/statues Museum of Asian Arts, University of Malaya
Slide 28 - BES BIDAN UM84.3 (MIDWIFE)
Slide 29 - BES BIDAN UM84.3 (MIDWIFE)
Slide 30 - BES BAJANG UM84.7
Slide 31 - Masks of Mah Meri
Slide 32 - Mah Meri Masks in 3D
Slide 33 - Concluding Remarks Collaboration between the “Culture partners” and “ICT partners” An understanding of what each partner is able to do
Slide 34 - THANK YOU TERIMA KASIH
 

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