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  • Slide 1 - 54 1 TELEVISION HUMOR: Sit Coms & Late Night TV by Don L. F. Nilsen and Alleen Pace Nilsen
  • Slide 2 - 54 2 TV Critic
  • Slide 3 - 54 3 Ten Top Sit Coms of All Time
  • Slide 4 - 54 4 How Sophisticated is Seinfeld? IN ONE EPISODE THERE ARE FOUR PRIMARY STORY ARCS: Jerry and his toys George and his animals Elaine and the sidler Kramer and the Merv Griffin Set (Note that the Merve Griffen set was found in a dumpster. Note also that this episode is scripted for Kramer (like the original Merv Griffin), but unscripted for everyone else) Seinfeld: Kramer and the Merv Griffin Set: http://www.youtube.com/watch?v=Mxhs-O_9BLc
  • Slide 5 - 54 5 Drew Carey
  • Slide 6 - 54 6 Family Guy
  • Slide 7 - 54 7 Friends
  • Slide 8 - 54 8 Kelsey Grammer as Frasier
  • Slide 9 - 54 9 The Office
  • Slide 10 - 54 10 Ray Ramono
  • Slide 11 - 54 11 Scrubs
  • Slide 12 - 54 12 Jerry Seinfeld
  • Slide 13 - 54 13 The Simpsons
  • Slide 14 - 54 14 Southpark
  • Slide 15 - 54 15 Sit Coms: An Overview “Take a few stereotyped characters whose views/interests/inclinations are discordant; place them in a context of interaction from which they cannot escape; set in motion a course of events which leads them to formulate interpretations which clash, but without serious consequences; vary the action from one episode to another, but maintain the setting and the underlying patterns of conduct; provide clear and repeated signals of humorous intent; and arrange each episode in the form of a prolonged joke sequence with an ‘unexpected’ semantic reversal at the end.” (Mulkay 183-184). (Morrison PowerPoint [2009]: 5)
  • Slide 16 - 54 16 Types of Sit Coms Anne Spangler classes sit coms by Setting: workplace, home… Main Characters: single, women, black… Tone: “warmedy,” “dramedy,” “surreal”… Leo Charney classes sit coms as: Family Sitcoms: The Goldbergs, Everybody Loves Raymond, Roseanne… Friends-as-Family Sitcoms: Seinfeld, Friends, Three’s Company, Cheers, Golden Girls… Workplace Sitcoms: Cheers, M*A*S*H, Mary Tyler Moore Show, The Office… (Morrison PowerPoint [2009]: 10)
  • Slide 17 - 54 17 Rick Mitz’s Categories “Careercoms” Cheers, Dick Van Dyke Show “Corncoms” The Beverly Hillbillies, Andy Griffith “Couplecoms” I Love Lucy “Domcoms”: Father Knows Best “Ethnicoms” The Goldbergs, Sanford and Son “Kidcoms”: Leave lt To Beaver “Scificoms” Alf, Morc “Servicecoms”: M*A*S*H, N.C.I.S. (Morrison PowerPoint [2009]: 11)
  • Slide 18 - 54 18 Static vs. Dynamic Sit Coms “Seinfeld and Friends demonstrate the two poles of the sitcom’s development: the show on which no one changes versus the show on which everyone changes.” (Charney 599-600) (Morrison PowerPoint [2009]: 7)
  • Slide 19 - 54 19 Static Sit Coms The static sitcom, sticks to its expected characters and themes. On Seinfeld, Jerry, Elaine, George, Kramer, and above all, Jerry’s nemesis Newman have a great deal in common with such never-changing cartoon icons as Bugs Bunny and Road Runner, constantly bringing the same traits to the same situations. (Charney 599-600) (Morrison PowerPoint [2009]: 7)
  • Slide 20 - 54 20 Dynamic Sitcoms Friends, Sex and the City, and Mad About You are dynamic sitcoms, “with their long arcs of character evolution and carefully worked-out resolutions.” They are a hybrid between the sitcom and the soap opera. The characters age, change, and grow as they would in real life. (Charney 599-600) (Morrison PowerPoint [2009]: 7)
  • Slide 21 - 54 21 Sitcoms: Some Analogies There are military sitcoms, school based sitcoms, comedies that feature aliens from abroad as far as Mars and Ork, ethnic shows, urban and rural shows, and work-place comedies. “All the familiar character types of American humor from the wise fools of the colonial and early national literature to the ‘little men’ of comic strips, silent film, and journalism, to con men and tricksters are featured in sitcoms.” (Mintz in Raskin [2008] 295)
  • Slide 22 - 54 22 Pre-TV: Radio Sit Coms Amos ’n Andy first aired in 1928, and was adapted for TV in 1951. Amos ’n Andy came out of the minstrelsy tradition, and came to television as “blackface comedy.” It was cancelled after two seasons. (Morrison PowerPoint [2009]: 9)
  • Slide 23 - 54 23 Amos ‘n Andy (1930s Radio) (1951-1952 TV)
  • Slide 24 - 54 24
  • Slide 25 - 54 25 Molly Goldberg Molly Goldberg first aired on radio in 1929 and was adapted for TV in 1949. After five years on TV, it was cancelled. It represented a middle-class Jewish family living in an apartment in the Bronx. (Morrison PowerPoint [2009]: 9)
  • Slide 26 - 54 26 The Goldbergs (1930s Radio) (1949-1953 TV)
  • Slide 27 - 54 27
  • Slide 28 - 54 28 Sit Com Zeitgeists 1950s: Traditional Families Nuclear family White, Suburban, Patriarchal Conventional Stereotypes: businessman dad, stay-at-home mom, good-hearted and law-abiding children Examples: Father Knows Best, Leave it to Beaver (Morrison PowerPoint [2009]: 12)
  • Slide 29 - 54 29 Mayberry RFD (1950s TV)
  • Slide 30 - 54 30 The Addams Family: Lurch (1950s TV)
  • Slide 31 - 54 31 1960s: Beginnings of Diversity Nuclear Families (Dick Van Dyke Show) Fantastic Families: The Munsters, Bewitched, I Dream of Jeannie Single Parents: My Three Sons, The Andy Griffith Show Single Working Women: That Girl, Julia, Hazel (Morrison PowerPoint [2009]: 12)
  • Slide 32 - 54 32 The Munsters (1960s TV)
  • Slide 33 - 54 33 Beverly Hillbillies (1960s TV)
  • Slide 34 - 54 34 1970s: Controversial with Social Awareness Wholesome Families: Happy Days, The Waltons, Little House on the Prairie Crass, Bigoted, Racist Families: All in the Family, Maude, The Jeffersons Feminist Sit Coms: Mary Tyler Moore Show Sex-Liberation: Three’s Company Blended Families: Brady Bunch, Diff’rent Strokes Taboo subjects like abortion, rape, interfaith marriage, poverty, antiwar sentiment are treated (Brooks 87) (Morrison PowerPoint [2009]: 13)
  • Slide 35 - 54 35 Alf (1970s TV)
  • Slide 36 - 54 36 All in the Family (1970s TV)
  • Slide 37 - 54 37 The Brady Bunch (1970s TV)
  • Slide 38 - 54 38 1980s: Realism & Variation Wholesome Sitcoms, some with Dual Career Marriages: The Cosby Show Animated Sitcoms: The Simpsons Rude, Crass, & Blue-Collar Sitcoms: Married…with Children, Roseanne Children tend to be independent; there are different types of families in terms of fathers, mothers, race, etc. (Morrison PowerPoint [2009]: 14)
  • Slide 39 - 54 39 The Cosby Show (1980s TV)
  • Slide 40 - 54 40 The Simpsons (1980s TV)
  • Slide 41 - 54 41
  • Slide 42 - 54 42 Golden Girls (1980s TV)
  • Slide 43 - 54 43 Roseanne (1980s TV)
  • Slide 44 - 54 44 1990s & 2000s: Few Taboos & Total Diversity Family: Home Improvement Animated: Beavis & Butt-head, Southpark, King of the Hill Teen Audience: Buffy, the Vampire Slayer, Dawson’s Creek, Malcolm in the Middle Single, Working Women: Will & Grace, Sex and the City Character Development & Growth: Seinfeld Sixty-Minute Format: Ally McBeal (Morrison PowerPoint [2009]: 16)
  • Slide 45 - 54 45 Family Guy (1990s TV)
  • Slide 46 - 54 46 Friends (2000s TV)
  • Slide 47 - 54 47 Home Improvement (1990s TV)
  • Slide 48 - 54 48 Seinfeld (1990s TV)
  • Slide 49 - 54 49
  • Slide 50 - 54 50 Ally McBeal (2000s TV)
  • Slide 51 - 54 51 SITCOM WEB SITES 30 ROCK: http://www.nbc.com/30_Rock/ AMERICAN DAD: http://www.fox.com/americandad/ BETTER OFF TED: http://abc.go.com/shows/better-off-ted THE BIG BANG THEORY: http://www.cbs.com/primetime/big_bang_theory/ DESPERATE HOUSEWIVES: http://abc.go.com/primetime/desperate/
  • Slide 52 - 54 52 CHEERS: http://www.tv.com/cheers/show/66/summary.html COMMUNITY: http://www.nbc.com/community/ THE COSBY SHOW: http://www.imdb.com/title/tt0086687/ CURB YOUR ENTHUSIASM: http://www.hbo.com/larrydavid/ DESPERATE HOUSEWIVES: http://abc.bo.com/primetime/desperate/ EVERYBODY LOVES RAYMOND: http://www.cbs.com/primetime/everybody_loves_raymond/
  • Slide 53 - 54 53 THE FAIRLY ODD PARENTS: http://www.nick.com/shows/the_fairly_oddparents/index.jhtml FAMILY GUY: http://www.familyguy.com/ FRASIER: http://www.tv.com/frasier/show/70/summary.html THE FRESH PRINCE OF BEL-AIR: http://www.imdb.com/title/tt0098800/ FRIENDS: http://www2.warnerbros.com/friendstv/container.html FULL HOUSE: http://www.tv.com/fullhouse/show/1026/summary.html
  • Slide 54 - 54 54 FUTURAMA: http://search.msn.com/video/results.aspx?q=futurama&FORM=VDRE THE GOLDEN GIRLS: http://www.imdb.com/title/tt0088526/ GROWING PAINS: http://www.tv.com/growingpains/show/118/summary.html HOME IMPROVEMENT: http://www.tv.com/home-improvement/show/635/summary.html IT’S ALWAYS SUNNY IN PHILADELPHIA: http://www.hulu.com/its-always-sunny-in-philadelphia THE JEFFERSONS: http://www.tvland.com/shows/jeffersons/
  • Slide 55 - 54 55 THE KING OF QUEENS: http://www.sonypictures.com/tv/shows/kingofqueens/ MALCOLM IN THE MIDDLE: http://www.fox.com/malcolm/ MARRIED WITH CHILDREN: http://www.sonypictures.com/tv/shows/marriedwithchildren/ MAUDE: http://www.museum.tv/archives/etv/M/htm1M/maude/maude.htm MY HERO: http://www.bbc.co.uk/comedy/myhero/ MY NAME IS EARL: http://www.imdb.com/title/tt0460091/
  • Slide 56 - 54 56 THE NEW ADVENTURES OF OLD CHRISTINE: http://www.cbs.com/primetime/old_christine/ THE ODD COUPLE: http://www.imdb.com/title/tt0063374/ THE OFFICE: http://www.nbc.com/The_Office/ SCRUBS: http://www.nbc.com/Scrubs/ SEINFELD: http://www.sonypictures.com/tv/shows/seinfeld/ SEX AND THE CITY: http://www.hbo.com/city/
  • Slide 57 - 54 57 THE SIMPSONS: http://www.thesimpsons.com/index.html SISTER, SISTER: http://www.imdb.com/title/tt0108927/ SOUTH PARK: http://www.southparkstudios.com/clips/155394/?tab=featured SPIN CITY: http://abc.go.com/primetime/spincity/ SPONGE BOB SQUARE PANTS: http://www.nickelodeon.com.au/toonroom/sponge/menu.php STEVE HARVEY: http://www.steveharvey.com/
  • Slide 58 - 54 58 STILL STANDING: http://www.cbs.com/primetime/still_standing/ THAT 70S SHOW: http://www.that70sshow.com/ TWO AND A HALF MEN: http://www.cbs.com/primetime/two_and_a_half_men/ TYLER PERRY’S HOUSE OF PAYNE: http://www.tbs.com/shows/houseofpayne/ THE VICAR OF DIBLEY: http://www.bbc.co.uk/programmes/b006qgfj WAR AT HOME: http://www.fox.com/warathome/ THE WINNER: http://www.fox.com/winner/
  • Slide 59 - 54 59 !!Late Night Television Jon Stewart & Stephen Colbert
  • Slide 60 - 54 60 !!!Greg Beato writes in “Amusing us to Depth” “Multiple Surveys by the Pew Research Center and the Annenberg Public Policy Center have found that viewers of The Daily Show and The Colbert Report are among America’s most informed citizens.” (390)
  • Slide 61 - 54 61 !!!TALK SHOW WEB SITES ADAM CAROLLA: http://www.imdb.com/name/nm0004805/ STEPHEN COLBERT: “THE COLBERT REPORT”: http://www.colbertnation.com/home JIMMY FALLON: http://www.latenightwithjimmyfallon.com/ CRAIG FERGUSON: http://www.cbs.com/late_night/late_late_show/
  • Slide 62 - 54 62 CHELSEA LATELY (CHELSEA HANDLER): http://www.eonline.com/on/shows/chelsea/index.jsp DAVID LETTERMAN: http://www.cbs.com/latenight/lateshow/ JIMMY KIMMELL: http://abc.go.com/latenight/jimmykimmel/index?pn=index JAY LENO: http://www.nbc.com/The_Tonight_Show_with_Jay_Leno/
  • Slide 63 - 54 63 DEMETRI MARTIN: http://www.demetrimartin.com CONAN O’BRIEN: http://www.tonightshowwithconanobrien.com/ SATURDAY NIGHT LIVE: http://www.nbc.com/Saturday_Night_Live/video/ SARAH SILVERMAN PROGRAM: http://sarahblog.comedycentral.com/ JON STEWART: “THE DAILY SHOW”: http://www.thedailyshow.com/
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  • Slide 70 - 54 70 Marc, David. “Origins of the Genre: In Search of the Radio Sitcom.” in Dalton and Linder [2005]: 15-23. Mills, Brett. Television Sitcom. Berkeley, CA: University of California Press, 2005. Mitz, Rick. The Great TV Sitcom Book. New York, NY: Perigee Books, 1988. Moon, Tony. “Spotlight Kids: The Depiction of Stand-Up Comedians in Fictional Drama: Film, Television and Theatre.” Comedy Studies 1.2 (2010): 201-208. Morreale, Joanne. “Revisiting the Osbournes: The Hybrid-Reality Sitcom.” Journal of Film and Video 55.1 (2003): 3-15. Morrison, Krystina. “The Radio and Television Sit Com.” Unpublished ENG 414 PowerPoint, Tempe, AZ: ASU, April, 2009. Mulkay, Michael. On Humour: Its Nature and Place in Modern Society. Oxford, England: Polity Press, 1988.
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  • Slide 72 - 54 72 Putterman, Barry. On Television and Comedy: Essays on Style, Theme, Performer and Writer. New York, NY: MacFarland, 1995. Reincheld, Aaron. “Saturday Night Live and Weekend Update.” Journalism History 21.4 (2006): 188-195. Rice, Jonah Lee. “SpongeBob SquarePants: Pop Culture Tsunami or More?” Journalof Popular Culture 42.6 (2009): 1092-1114. Ross, Michael L., and Lorraine York. “First, They’re Foreigners”: The Daily Show with Jon Stewart and the Limits of Dissident Laughter.” Canadian Review of American Studies 37.3 (2007): 351-370. Santa Ana, Otto. “Did you call in Mexican? The Racial Politics of Jay Leno Immigrant Jokes.” Language in Society 38.1 (2009): 23-45. Schwartz, Sherwood, and Lloyd J. Schwartz. Brady Brady Brady: The Completge Story of “The Brady Bunch” as Told by the Father/Son Team Who Really Know. Philadelphia, PA: Running Press Book Publishers, 2010. Scodari, Christine. “Sex and the Sitcom: Gender and Genre in Millenial Television.” in Dalton & Linder [2005]: 242ff.
  • Slide 73 - 54 73 Senzani, Alessandra. “Class and Gender as a Laughing Matter? The Case of Roseanne.” HUMOR: International Journal of Humor Research 23.2 (2010): 229-254. Shales, Thomas. Live from New York: An Uncensored History of Saturday Night Live. New York, NY: Bay Back Books, 2002. Smoodin, Eric. Animating Culture. New Brunswick, NJ: Rutgers University Press, 1993. Spangler, Lynn C. Television Women from Lucy to Friends: Fifty Years of Sitcoms and Feminism. Westport, CT: Praeger, 2003. Seinkiewicz, Matt, and Nick Marx. “Beyond a Cutout World: Ethnic Humor and Discursive Integration in South Park.” Communication and Mass Media Complete (2009): 5-18. Thelen, Jenna. “Humor in Sit Coms.” Unpublished ENG 414 PowerPoint, Tempe, AZ: ASU, 2009.
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